When I first started photographing seriously (early 80’s), one of the attractions of photography was the mystery of how one would be able to achieve the image. In this instance I am talking about the technical process rather than the imaginative one that is connected with the idea or desire to portray a subject/emotion.
It was (and remains) a fascinating process. Light entered the camera and exposed the film which then was developed, then printed. There were a number of variables at each stage that could alter the way the image was captured and developed, let alone the printing process in the Darkroom.
To obtain a technically proficient image one had to perfect the techniques required to obtain the best possible image in your negative or positive image.
Fast forward to the Digital world. For some years now (due to the advances in technology, and indeed the Digital format itself), it has never been easier to obtain a ’technically proficient’ image in terms of the basic reproduction of a scene.
On the one hand, this is a positive, as it allows the photographer to concentrate more on the ‘creative’ side of things, knowing that they have the initial in-camera/process taken care of. On the minus-side it has taken away skills, enjoyment and a sense of challenge that many found to be a key part of the photographic process. Learning to choose the appropriate film, exposure, development time etc to gain a negative or positive that would help produce the desired results in printing was the goal.
There was a certain ‘mystery’ connected with the early part of the process i.e. through the processing of film and the effect of light on silver halides through exposure and development (before the darkroom printing stage) which has been lost to a certain degree. Once learnt, those techniques could be applied, but of course that took time…
I am not for one minute saying Digital is a bad thing as the Digital process has brought with it many benefits, one I have already alluded to. I shoot Digital myself.
Of course we do have the wonderful world of image manipulation programmes where we have the choice to alter images with abandon, depending on what we want to achieve. This is a great thing. With all this at our disposal though, sometimes I wonder if the technical aspects of photography have been made too easy?
Even though my passion for photography is as strong as it always has been I have (in the last few years) been slowly getting interested in painting and am currently learning Oil painting. There is certainly a ‘mystery’ there in terms of getting a ’technically proficient’ image.
I cannot just go out and purchase a brush/canvas/paint combination that will give me a technically proficient image. One has to endeavour to learn the skills, practice, make mistakes, learn some more, and repeat the process. (I am aware that I could do ‘Oil’ Painting digitally but that doesn’t hold an interest for me). Once I get better at these skills I will be able to communicate what I want to say, better and in more creative ways.
I love Art and my love for photography will continue throughout my life however my love for painting has increased with each passing year, to a point where I now aiming to allocate a certain amount of time every weekend to painting.
Much like coming up for an idea for a photograph or looking at a scene through a viewfinder, I can look at my blank canvas and proceed to paint an idea or sit outside and interpret a scene.
Ultimately though, what continues to separate individual photographers and individual painters is our imagination and the ability to convey the desired idea through creativity and technical skill.
Harry Callahan, Photographer – 1912 -1999 once said:
“The mystery isn’t in the technique, it’s in each of us…” – More Joy of Photography, Eastman Kodak – 1981
Where is the mystery?
“The mystery is in the learning and application of the technique which we then use via personal expression to creatively communicate our ideas…”
Written by David Johnson
2 April 2016