Over the years, I have visited Joadja Creek, which is an old Shale mining town in the Southern Highlands of NSW Australia.
I had been down there 3 times before dating back to the 1980’s however I had not been there for some 12 years when I ventured down there in 2014.
Although some restorative work is taking place with some of the roofs, Joadja is largely how I remembered it, a place of history, an ornament to the Scottish part of our heritage and a wonderful place to let the mind relax.
In the past I had gone down there with just photography in mind however this time around was a bit different. This time I took my camera, my iPad and my pencils.
The camera to capture the place photographically, the iPad to capture it in words and pencils to do some sketching.
Included here are some of the images I took and I also have included a link to a previous post on this blog, where you will see a poem I wrote about Joadja when I was down there sitting amongst the ruins…
If you do find yourself on the area, drop in for a visit. It is a place that will capture both the historian and the artist in you.
Written by David Johnson
For further information about Joadja, click on the link below:
When you go out to photograph, what ‘state of mind’ are you in?
Do you go out with an idea in mind, or do you ‘free-wheel?’
Both approaches are valid, depending on what you want to achieve. I have to say that for many years I would either pick a subject e.g. I might choose to photograph a Sunrise but have no real goal of what I wanted to capture, and so I would come home with anything, or sometimes I would just set off with my camera and ‘follow the light’ and see where it would take me.
Both of the above approaches produced some excellent images, some average images and of course many ‘learning experiences.’
One day at a meeting of a ‘Photo Group’ I was involved with, we were viewing a of my images when one of the members, Chris Donaldson asked me ‘what I was trying to communicate with the image?’ My answer was that “I wasn’t trying to communicate anything” I just merely took the image for fun.
As Chris mentioned, whether or not I was intentionally trying to communicate anything, didn’t matter as I was still communicating. That day, I changed the way I viewed photography. Up to that point (even though subconsciously I knew I was communicating) I wasn’t photographing for that reason. I was just photographing because I had fun.
I still have fun to this day, but since that conversation I have approached photography in a different way, in a more thoughtful way.
Next time you go out to photograph, think about why you are going and what you want to communicate?
Written by David Johnson
One of the things that happened when I first started using a camera to explore the world was that I started to become more aware of what was around me. Initially, this was only on a conscious level. Gradually, over time I trained my eye to seek out things that which others would walk straight by. This now happens on a subconscious level.
Coupled with this is my sense of humour, so that when I was walking along a pier and saw these boots, awareness & humour combined to form a memorable image for me.
This is one of the wonderful things in life. We each have our own personal vision of the world. Our personal vision is shaped by our environment, our beliefs and influences.
In picking up a camera, a paintbrush, a pencil, clay or other artistic media we can express, through our imagination that which others cannot, i.e. our personal view of this world.
Awareness, personal vision and imagination. Three important tools to communicate your message.
I was leafing through an old photography book and I came across the above quote by Ernst Haas. He was (and remains) a great influence on me.
There are quite literally millions of things to photograph and no photographer could rightly claim to have photographed everything there is, however we do not need to.
I often hear the comment, ‘there is nothing to photograph…” An amazing statement really… As I look out the window (in suburbia currently), I see many subjects and many ideas come to mind of what/how I could photograph them.
The problem isn’t the lack of subject matter. The problem is that we wander around blissfully unaware of our surroundings and we also get caught up in the world, rushing here rushing there.
STOP! Just for one moment wherever you are reading this! Look around.
Do you see a tree? Yes. Look at it as if it is not a tree, but an idea generator, branches as conduit bringing forth ideas (leaves) and photograph it accordingly…
Do you see a fence? Yes. Look at it as if it is not a fence, but a palette. A palette that has light dancing over it creating form and texture, lines and shapes.
Are you a glamour/nude photographer? View the body, not as a body but as a sculpture; view it as part of the landscape and photograph it accordingly…
Are you a flower photographer? View the flower, not as a flower but as a person with a personality…
It is not lack of subject matter, it’s a lack of ideas.
The continued challenge as a photographer is that we need to reinvent and apply new ideas to the subject matter or as Ernst Haas eloquently puts it…
“I am not interested in shooting new things – I am interested to see things new.”
For more information on Ernst Haas
It has indeed been always about the moment, whether I was shooting film or digital photography.
I remember back in 1983 when I purchased my SLR and a whole new world opened up to me, it was a liberating experience. I began to be aware and see things that had always been there yet, I had not seen. That feeling and experience continues to this day.
Back in the film days there were many ways that an image could be produced and/or manipulated. Now with the invention of Digital, we have many more ways to enhance/manipulate an image, perhaps way more than we need (or want for that matter). The ’science’ is there no matter whether we are talking Film or Digital.
I would like you to step back though, away from the film, the pixels, cameras, chemicals and paper and think about the following… If there was no moment, no spark that formed that idea in your head or no experience that drove you to pick up that camera to take that image, there would be no image.
Which takes me back to my original comment, ‘It’s always been about the moment.’
When I’m out there photographing, when I’m out there experiencing the moment i.e. the realisation of an idea, being on the hunt, interpreting the experience, recognising that moment, that has always been the thing I love the most about photography.
Back in the Darkroom or the Lightroom the process continues to build on that moment, which is necessary to bring the vision to others. That process is of course, important, for without that the photographer’s vision will not be realised.
For me though it’s that joyous moment, where I am one with my camera, an experience I can re-live in my mind at any time. The ‘finished image’ is a mere reproduction of that moment, a moment only, really truly experienced by the photographer…
Written by David Johnson
20 August 2016